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Architecture:   Persian Manuscript Material, with emphasis on Nizami’5 “Layla wa Majnun”

Adamova, A., “Repetition of Compositions in Manuscripts: The Khamsa of Nizami in Leningrad,” in Golombek, Lisa, and Subtelny, Maria (eds.), Timurid Art and Culture: Iran and Central Asia in the Fifteenth Century, (Leiden: 1992), pp. 65-75.

Adle, Chahryar, Art et Société dans le Monde Iranien, (Paris: 1982).

----- “Recherche sur le Module et le Tracé Correcteur dans la Miniature Orientale, I,” in Le Monde Iranien et l’Islam, vol. 3 (1975), pp. 81-105.

al-Bukhari, Sahih, The Translation of the Meanings of Sahih al-Bukhari (Arabic- English), (Medina: 1298 A. H.), 10 vols.

Ali, Ahmed, Al-Qur’an, (Princeton: 1984).

Arberry, A. J., Classical Persian Literature, (New York: 1958).

----- Persian Poems: An Anthology of Verse Translations, (London: 1954).

----- Sufism: An Account of the Mystics of Islam, (London: 1956).

Arberry, A. J., Minovi, M., and Blochet, E., The Chester Beatty Library: A Catalogue of the Persian Manuscripts and Miniatures, 3 vols., (Dublin: 1959).

Arnold, Sir Thomas W., Painting in Islam: A Study of the Place of Pictorial Art in Muslim Culture, (New York: 1965).

----- “The Influence of Poetry and Theology on Painting,” in A Survey of Persian Art, Pope, Arthur Upham (ed.), (London: 1939), vol. 3, pp. 1904-10.

Atil, Esin, Exhibition of 2500 Years of Persian Art, (Washington D.C.: 1971).

----- The Brush of the Masters: Drawings from Iran and India, (Washington D.C.: 1978).

Binyon, Laurence, Wilkinson, J. V. S., and Gray, Basil, Persian Miniature Painting (including a critical and descriptive catalogue of the miniatures exhibited at Burlington House, January-March, 1931), (New York: 1933).

Biruni, Kitab al-Hind, Edward C. Sachau (trans.), 2 vols. (London: 1910),

Blochet, Edgar, Catalogue des Manuscrits Persans dans la Bibliothèque Nationale, t. 3, (Paris: 1928).

----- “Les Écoles de Peinture en Perse,” in Revue Archéologique, t. 6 (Dec. 1995), pp. 121-48.

----- Musulman Painting: XIIth-XVIIth Century, (London: 1929).

----- Peintures des Manuscrits Arabes, Persans, et Turcs de la Bibliothèque Nationale, (Paris: no date).

Brend, Barbara, The Emperor Akhbar’s Khamsa of Nizami, (London: 1995).

Bronstein, Léo, “Space Forms in Persian Miniature Composition,” in Bulletin of the American Institute for Persian Art and Archaeology, vol. IV (1935), pp. 111-9.

----- Space in Persian Painting, (New Brunswick: 1994).

Browne, Edward G., A Year Amongst the Persians, (Cambridge: 1927).

Camman, S. V. R., “The Interplay of Art, Literature and Religion in Safavid Symbolism,” in JRAS (1978), pp. 124-36.

Canby, Sheila, Persian Painting, (New York: 1993).

----- (ed.), Persian Masters: Five Centuries of Painting, (Bombay: 1990).

Chandra, Moti, The Technique of Mughal Painting, (Lucknow: 1949).

Codrington, O., “Catalogue of the Arabic, Persian, Hindustani and Turkish Manuscripts in the Library of the Royal Asiatic Society,” in JRAS (1982), pp. 501-69.

Coomaraswamy, Ananda K., Les Miniatures Orientales de la Collection Goloubew au Museum of Fine Arts de Boston, (Paris: 1929).

Curzon, George N., Persia and the Persian Question, vol. 2, (London: 1892).

Edwards, C. C., “Calligraphers and Artists: A Persian Work of the Late 16th Century,” in BSOAS, vol. X (1940-2), pp. 199-211.

Ettinghausen, Richard, and Swietochowski, Marie Lukens, Islamic Painting, The Metropolitan Museum of Art Bulletin (Fall 1978), (New York: 1978).

Ferrier, Ronald W. (trans. & ed.), A Journey to Persia: Jean Chardin’s Portrait of a Seventeenth-Century Empire, (London: 1996).

----- “The First English Guide Book to Persia: ‘A Discription of the Persian Monarchy’,” in Iran: Journal of the British Institute of Persian Studies, vol. XV (1977), pp. 75-88.

Gelpke, R. (trans. & ed.), Nizami: The Story of Layla and Majnun, (London: 1966).

Gibb, A. R., et al (eds.), Encyclopaedia of Islam, (Leiden: 1926 et seq.), “Nizami,” vol. 6, “Sufism,” vol. 3.

Grabar, Oleg, and Blair, Sheila, Epic Images and Contemporary History: The Illustrations of the Great Mongol Shahnama, (Chicago: 1980).

----- “On the Universality of the History of Art,” in Art Journal, vol. 42 (Winter 1982), pp. 281-3.

Gray, Basil, Persian Painting from Miniatures of the XII-XVI Centuries (Twelve ColorPlates), (Bern: 1947).

----- Treasures of Asia: Persian Painting, (Cleveland: 1961).

Guest, Grace Dunham, Shiraz Painting in the Sixteenth Century (with 50 Plates), (Washington D.C.: 1948).

Herbert, Thomas, Travels in Persia: 1627-1629, Foster, Sir William (ed.), (New York: 1972).

Holter, Kurt, Persische Miniaturen, (Vienna: 1921).

Jackson, A. V. Williams, Persia Past and Present: A Book of Travel and Research, (London: 1906).

Jackson, Peter (ed.), The Cambridge History of Iran, vol. 6: The Timurid and Safavid Periods, (London: 1968 et seq.).

Khairallah, As’ad E., Love, Madness, and Poetry: An Interpretation of The Magnun Legend, (Beirut: 1980).

Krackovskij, I. J., “Die Frügeschichte der Erzählung von Majnun und Laila in der Arabischen Literatur,” in Oriens, vol. VIII (1955), pp. 14-6.

Kühnel, Ernst, Persische Miniaturmalerei (13. Jahrhundert bis 17. Jahrhundert), (Berlin: 1959).

Lentz, Thomas W., and Lowry, Glenn, Timur and the Princely Vision, (Washington D.C.: 1989).

Levey, Martin, “Chemical Technology in Mediaeval Arabic Bookmaking,” in Transactions of the American Philologic Society, vol. 52, part 4 (1962), pp. 5-65.

Losty, J. P., The Art of the Book in India, (London: 1982).

Lowry, Glenn, and Nemazee, Susan, A Jeweler’s Eye: Islamic Arts of the Book from the Vever Collection, (Washington D.C.: 1988).

Marteau, Georges, and Vever, Henri, Miniatures Persanes (Exposées au Musée des Arts Décoratifs, Juin-Octobre 1921), (Paris: 1913).

Martin, F. R., and Arnold, Sir Thomas W., The Nizami Ms. Illuminated by Bihzad, Mirak and Qasim Ali (Written 1495 for Sultan Ali Mirza Barlas, Ruler of Samarquand) n the British Museum (Or. 6810), (Vienna: 1926).

Meisami, Julie Scott, Medieval Persian Court Poetry, (Princeton: 1987).

Melville, Charles (ed.), Safavid Persia: The History and Politics of an Islamic Society, (London: 1996).

Minorsky, V. (trans. & ed.), Qadi Ahmad, Calligraphers andPainters, (Baltimore: 1959).

(Musée du Petit Palais), De Baghdad à Ispahan: Manuscrits Islamiques de la Filiale de Saint-Pétersbourg de l’Institut d’Édudes Orientales Académie des Sciences de Russie, (Milan: 1994).

Porter, Yves, (trans. S. Butani), Painters, Paintings, and Books: An Essay on Indo-Persian Technical Literature, 12-19th Centuries, (New Delhi: 1994).

Rimbaud, Arthur, Oeuvres, (Paris: 1960).

Robinson, B. W., A Descriptive Catalogue of the Persian Paintings in the Bodleian Library, (Oxford: 1958).

----- Fifteenth-Century Persian Painting: Problems and Issues, (New York: 1991).

----- “Origin and Date of Three Famous Shah-Nameh Illustrations,” in Ars Orientalis, vol. I (1954), pp. 105-12.

----- Persian Miniatures, (Oxford: no date).

----- “Persian Miniatures in the Chester Beatty Library,” in Apollo, vol. 77 (May 1963), pp. 380-5.

----- Persian Paintings in the India Office Library: A Descriptive Catalogue, (London: 1976).

----- Persian Paintings in the John Rylands Library: A Descriptive Catalogue, (London: 1980).

----- Persian Paintings (in the Victoria and Albert Museum), (London: 1952).

----- Studies in Persian Art, 2 vols., (London: 1993).

Robinson, B. W., et al, Islamic Painting and the Arts of the Book, (London: 1976).

Rohani, Nasrin, A Bibliography of Persian Miniature Painting, (Boston: 1982).

Roxburgh, David, “Our Works Point to Us:” Album Making, Collecting, and Art (1427-1565) under the Timurids and Safavids, Ph.D. Dissertation, University of Pennsylvania, (Philadelphia: 1996).

Schimmel, Annemarie, Calligraphy and Islamic Culture, (New York: 1984).

Schmitz Barbara, Islamic Manuscripts in the New York Public Library, (New York: 1992).

Schmitz Barbara et al., Islamic and Indian Manuscripts and Paintings in the Pierpont Morgan Library, (New York: 1997).

Simpson, Marianna Shreve, Arab and Persian Painting in the Fogg Art Museum, (Cambridge: 1980).

----- Sultan Ibrahim Mirza’s Haft Awrang: A Princely Manuscript from Sixteenth- Century Iran, (New Haven: 1997).

Soucek, Priscilla Parsons, Illustrated Manuscripts of Nizami’s Khamseh: 1386-1482, unpublished Ph.D. dissertation (NY: 1973).

----- “Nizami on Painters and Paintings,” in Islamic Art in the Metropolitan Museum of Art, ed. R. Ettinghausen, pp. 9-21.

Stchoukine, Ivan, La Peinture Turque d’Après les Manuscrits Illustrés de Sulayman Ier à ‘Osman II (1520-1622), (Paris: 1966).

----- “Les Peintures des Manuscrits de la ‘Khamseh’ de Nizami au Topkapi Sarayi Müzesi d’Istanbul,” in Institut Français d’Archéologie de Beyrouth, t. XCVI (1977).

----- Les Peintures des Manuscrits de Shah ‘Abbas Ier à la Fin des Safavis, (Paris: 1964).

----- Les Peintures des Manuscrits Safavis de 1502 à 1587, (Paris: 1959).

Titley, Norah M., Persian Miniature Painting and its Influence on the Art of Turkey and India, (Austin: 1984).

Welch, Stuart Cary, Artists for the Shah: Late Sixteenth-Century Painting at the Imperial Court of Iran, (New Haven: 1976).

------ Persian Painting: Five Royal Safavid Manuscripts of the Sixteenth Century, (New York: 1976).

------ Wonders of the Age: Masterpieces of Early Safavid Painting: 1501-1576, (Cambridge: 1979).

Welch, S. C., and Dickinson, Martin B., The Houghton Shahnameh, (Cambridge: 1981).

Welch, S. C., and Welch, Anthony, Arts of the Islamic Book: The Collection of Prince Sadruddin Aga Khan, (Ithaca: 1982).

Yarshater, Ehsan (ed.), Encyclopaedia Iranica, (London: 1982 et seq.)

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